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Curator Statement

Maggie Shirley


“We are animals, yet we behave like gods.” – from Hamlet, William Shakespeare

At what point did we cross over from being a species of primates into being that complex creature known as “human being”? Behaviour science says human minds are capable of feats such as abstract thought and generative computation (the capacity to generate new concepts and mix together concepts), among others. Those abilities have brought our species a quality of life that is incomparable in comfort, in convenience and in technological advancement. But what has become of our capacity to understand and follow our instinctual bodies and knowing? Despite our reliance on rational thought, our animal body remains.


Many of us have been experiencing what has been termed ‘ecological grief’ as a result of loss of species, habitat and other ecosystems due to climate change. It may be compounded by current political and social conflict, and other crises, most recently the corona virus.

One of the first steps in dealing with grief is acknowledging that it is there. Stephanie Kellett and Robert E. Livingood have captured that sense of physical loss and emotional bereavement through their mixed media exhibition. While they have personified death through the black figure in the video component, the majority of the show focuses on Kellett’s paintings of animals, which traverse the gallery as ghost-like beings. Livingood’s soundscape, recorded in situ, provides an atmosphere of alienation and loss.

While we humans may often be removed from our instinct, animals survive because of it. We all know of the innate power that draws a salmon up a river or a bird song to attract a mate. But what happens to the animals (and plants) when an unhealthy environment tricks their instinct? How do they cope?


We humans tend to underestimate the emotional capacity of other species. Animals as disparate as elephants and magpies have been known to grieve deaths of members of their herd or flock. Animals are also known to change their behaviour in the face of a crisis. Australian koalas, usually terrified of humans, trusted us to rescue and care for them during intense fires. Some polar bears that traditionally dive in the Arctic Sea to hunt seals are now learning to catch fish in rivers. The adaptability of these and other animals may be their key to responding to a chaotic environment.

Kellett and Livingood were startled by the absence of animal life on their trip to the north. They responded with art. Maybe we as a species can shake ourselves out of our denial through art or through observation of the changes around us. Do we recognize our animal selves? Do we realize the extent of our interdependence on the natural world and the plant and animal species that co-exist with us?

Artist Statement

Stephanie Kellett & Robert E. Livingood

After Eden​ conjures spirits from a once whole and vital landscape, to remind us of what is leaving and what is left. Beautiful painted images of ghostly and silhouetted animals wander barren, burnt, and dripping landscapes. Spirit creatures move silently and purposefully towards us. Their acknowledgement of us helps us feel the potential of them disappearing entirely from the landscape.

Initiated from an idea of creating offerings for threatened places, this multimedia exhibit seeks to acknowledge the passing of wild landscapes. Video clips depict a figure veiled in black moving over expanses of tundra and sand dunes. She is all that is left in the barren lands. The accompanying soundscape plays throughout the gallery space, and acts as an under layer to the visuals of the exhibit. It was created directly on site, in nature, with analog synthesizers, and serves as both dialog and offering to place. ​After Eden​ uses beauty to afford viewers a space where they can feel, acknowledge, and mourn the massive ecological changes we are all experiencing on some level right now.

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